Name: The Baker's Wife
Start: 2024-07-06
End: 2024-09-14
Location: Menier Chocolate Factory

London

London Nav Links [NEW]

More shows

WL UK Nav

[londontheatreland] Desktop Logo

London Theatreland

WL Terms

Terms and conditions

WL Privacy policy

Privacy policy

UK WL Musicals

Musicals

UK WL Plays

Plays

UK WL Family Theatre

Family

UK WL Deals & Special Offers

Special Offers

UK WL All Shows

All Shows

WL - All Attraction - LON

All Attractions

WL UK Info Links

INFO

WL FAQs

Help and Support

WL UK Help Links

HELP

WL UK Footer

Digital Partners

Theatre Specialists

UK WL Ballet & Opera

Ballet & Opera

WL Nav with Ballet & Opera

GWR Button Logo 01

GWR Nav Link to GWR site

Buy train tickets

WL Nav - GWR

WL Nav - The Times

WL Nav - Attractions Included

The Baker's Wife - LON [40982] 

TBW - Prod Image 1

The Baker's Wife

TheBakersWife 480x720

TheBakersWife 1080x1080

TheBakersWife 1440x580

The Baker's Wife - LON

TBW - Prod Image 2

TBW EPK - Lucie and Stephen

TBW - Prod Image 3

TBW - Prod Image 4

TBW - Prod Image 6

TBW - Prod Image 7

The arrival of a new Baker and his younger wife turns a provincial French village upside down in this cult classic musical from the legendary Stephen Schwartz (composer of Godspell, Wicked, Pippin) and Joseph Stein (writer of Fiddler On The Roof).

Born in Wales in 1991, Lucie Jones is a singer and actress who has become one of the West End’s leading ladies in recent years.

While growing up, Jones would regularly perform in her local community, as well as global Scouting events. Then, at the age of 18, Jones competed in the sixth series of *The X Factor*, reaching the live shows, against acts including Stacey Solomon, Olly Murs and Joe McElderry. Kicked out of the competition mid-way through the live shows, her television appearances got her noticed by West End producers.

Jones made her professional acting debut soon after, playing Cosette in the West End production of *[Les Miserables](https://www.londontheatre.co.uk/show/les-miserables)* in 2010. This began her musical theatre career, later starring in a musical adaptation of *American Psycho* at the [Almeida Theatre](https://www.londontheatre.co.uk/theatres/almeida-theatre) in 2013. She’s also been in national touring productions, including Meat in *We Will Rock You*, Maureen in *Rent*, Holly in *The Wedding Singer* and Elle Woods in *Legally Blonde*.

In 2019, Jones returned to the West End, taking over the role of Jenna in *[Waitress](https://www.londontheatre.co.uk/show/waitress)* from [Katharine McPhee](https://www.londontheatre.co.uk/actor-profile/katharine-mcphee). She played the role at the [Adelphi Theatre](https://www.londontheatre.co.uk/theatres/adelphi-theatre) for nine months, before [Sara Bareilles](https://www.londontheatre.co.uk/actor-profile/sara-bareilles) made her West End debut in her own musical. Jones was due to return to *Waitress* from March 2020, but performances were cancelled due to the pandemic, with *Waitress* eventually closing its doors early. She also starred in *A Christmas Carol* at the [Dominion Theatre](https://www.londontheatre.co.uk/theatres/dominion-theatre) in December 2020, but shows were suspended after a week in due to another lockdown.

Away from the West End, Jones has made her name in the music scene. She represented the United Kingdom in Eurovision 2017, coming in 15th place after singing “Never Give Up on You” in Ukraine.

In 2021, Jones returned to *Les Miserables*, playing Fantine at the [Sondheim Theatre](https://www.londontheatre.co.uk/theatres/sondheim-theatre). She appeared in the all-star concerts, alongside Jon Robyns, Bradley Jaden and Shan Ako.  

In 2022, Jones took over the role of Elphaba in *Wicked.* Following this, she'll return to *Les Miserables* to play Fantine.

Lucie Jones - LON

Waitress [13105]

Waitress

Waitress [13105] Product Media

<a href="/show/waitress">Waitress</a> opened on Broadway in the same 2015/16 season as <a href="/show/hamilton">Hamilton</a> - so, hardly surprisingly, lost out in the Tony Awards race, including for best musical and best original score. Yet, nearly three years on from its premiere there, it is still running - a block away from Hamilton (and the only shows from that season still be doing so). It has obviously struck a chord with theatregoers - and now it has come to London (with an international roll-out still to follow in Australia and Japan). It is in an altogether lower-key, folk-rock register to Hamilton's blast of hip-hop energy, and an absolutely lovely contrast to it. There is, or at least should be, room for both. Again, while <a href="/show/hamilton">Hamilton</a> takes bold steps while re-telling a giant chapter in the birth of the American nation and the constitutional papers that are its bedrock, <a href="/show/waitress">Waitress</a> is more domestically-scaled - and all the more heartfelt and personal for it.Here is an intimate everyday story of the power of workplace friendships and the joys of pie-baking - but not, as you might fear, full of sugar but also containing quite a lot of spice. There are real notes of anguish and entrapment felt as we follow the experiences of a diner waitress called Jenna, who can bake multiple varieties of pies -&nbsp;but also finds herself unexpectedly with a bun in the oven.So far, so familiar; especially if you've seen the 2007 film of the same name, originally written and directed by the late Adrienne Shelly. But what the all-female writing and lead creative team have done here is to add texture and tension through a series of gorgeous songs by folk-pop writer Sara Bareilles, making her musical theatre debut, that pulse with melody and feeling, and tender comedy notes expertly channelled by book writer Jessie Nelson.Under the guiding eyes of director Diane Paulus and choreographer Lorin Latarro, this story about a woman's life, told entirely from her point of view, is beautifully championed - and gets a sterling boost from American import Katharine McPhee, reprising the role of Jenna that she has also performed on Broadway, who has an effortlessly natural acting style and an alternately soaring and throbbing singing voice, not least in the show's Act Two power ballad "She Used to Be Mine".She is ideally partnered by Marisha Wallace and Laura Baldwin as her two work colleagues, each of&nbsp;whom get their own songs to shine in;&nbsp;and while all the male roles are, unusually for a musical, supporting ones, there are characterful contributions from David Hunter as Jenna's gynaecologist who takes more than a passing professional interest in her, Peter Hannah as her abusive husband and Shaun Prendergast as the fatherly owner of the diner.This is a small show with a big heart; it may have been better served by a more intimate house than the <a href="/theatres/adelphi-theatre">Adelphi</a>&nbsp;for its London debut, but I loved it.<a href="/show/waitress">Waitress</a> is booking at the <a href="/theatres/adelphi-theatre">Adelphi Theatre</a> until 19th October.<a href="/show/waitress">Waitress tickets</a> are available now.&nbsp;&nbsp;<div class="block block-block contextual-links-region " id="block-block-9"><div class="block-inner clearfix"><div class="block-title"><h2>WAITRESS REVIEW ROUND-UP</h2></div></div></div>"This musical took me by surprise: I expected something much less touching, gritty and moving. It has heart (not to mention pastry) to spare, and McPhee's voice has the lilt and lift to take you away from yourself." Ann Treneman, <a href="https://www.thetimes.co.uk/article/treat-yourself-to-a-slice-of-five-star-pie-32hjz2rsk" target="_blank">The Times</a>, ★★★★★"There are moments of discomfort but it says a lot for the fast sass and wonderful take-it-or-leave it silliness and the occasional sugar-free sequences in Jessie Nelson's deft book that the spot-on cast in Diane Paulus's production mostly manage to give these elisions an elating good humour and humanity.&nbsp; " Paul Taylor, <a href="https://www.independent.co.uk/arts-entertainment/theatre-dance/reviews/waitress-adelphi-theatre-london-review-a8811911.html" target="_blank">Independent</a>, ★★★★☆"McPhee gives a beautifully weary performance, setting the tone for a mostly British cast that treats the serious bits seriously and goes balls-to-the-wall on the daft stuff." Andrzej Lukowski, <a href="https://www.timeout.com/london/theatre/waitress-review" target="_blank">Time Out</a>, ★★★☆☆"Initially, the show struck me as raucous and improbable... But I found myself warming to Jessie Nelson's book and to the vigour of the songs." Michael Billington, <a href="https://www.theguardian.com/stage/2019/mar/07/waitress-review-adelphi-london-cook-fling-doctor-broadway-musical" target="_blank">The Guardian</a>,&nbsp;★★★☆☆

Review - Waitress at the Adelphi Theatre

The Adelphi Theatre, located in London's West End, is a historic venue recognised for its rich contribution to London's vibrant theatre scene. Exquisitely built in Art Deco architectural style, the Adelphi boasts an impressive history of notable performances and theatrical debuts since it first opened its doors in 1806. With a seating capacity of around 1,500, the venue ensures a sumptuous viewing experience enhanced by modern equipment, tastefully restored interiors, and comfortable seating that allows audiences to get lost in the art unfolding onstage. Over the years, the venue has hosted a range of compelling performances, be it dazzling musicals, thought-provoking dramas, or riveting mystery thrillers, contributing to its reputation as a central hub for quality theatre. Some of the famous shows to grace its stage include Chicago, Joseph and the Amazing Technicolor Dreamcoat, Evita, and more recently, Waitress. **How to get to the Adelphi Theatre**: Located on The Strand, the theatre is just a short walk away from various bus stops, tube stations, and railway stations. The nearest tube station, Covent Garden, is only a 5-minute walk away, while Charing Cross, the nearest railway station, is a 7-minute walk. Several bus routes service The Strand, making the theatre readily accessible from all parts of London.

Adelphi Theatre - LON

Adelphi Theatre

The historic Adelphi Theatre in London's West End hosts notable performances in 1,500-seating capacity auditorium, and is easily accessible via public transport.

Legendary musical in a concert staging which loses none of its epic scale and majesty

Entry Requirements - DMT

Les Misérables: The Staged Concert [23144]

Les Misérables: The Staged Concert

Les Misérables: The Staged Concert [23144] Product Media

The Sondheim Theatre, formerly known as Queen's Theatre, is a historic venue in London's bustling West End. Opened in 1907 and designed by famed architect W.G.R Sprague, the theatre is a testament to Edwardian Baroque architecture. Its luxurious red and gold interior hosts nearly 1100 attendees, offering a top-notch viewing experience regardless of seating location. The theatre is renowned for its legendary performance of 'Les Misérables', which ran for a record-breaking 35 years. In 2019, the theatre underwent substantial refurbishment and was reborn as the Sondheim Theatre, with advanced technologies enhancing its historic charm. Visitors can anticipate a memorable performance complemented by the theatre's state-of-the-art sound and lighting systems. **Getting to the Sondheim Theatre:** Situated at 51 Shaftesbury Ave, the theatre is easily accessible by various modes of transport. Piccadilly Circus station on the London Underground is a mere 3 minute walk, while Leicester Square station is an 8 minute walk. Numerous bus services stop nearby, such as numbers 14, 19, and 38. For those who prefer driving, the nearest Q-Park is in Wardour Street, with a concession rate available for theatre-goers.

Sondheim Theatre - LON

Sondheim Theatre

The Sondheim Theatre in London’s West End is an Edwardian Baroque building known for a record-breaking 'Les Misérables' run. Accessible by tube, bus, or car.

Ages 7+. Under 16s must be accompanied by and sat next to an adult (18+). Children under 5 years will not be admitted. All persons attending, regardless of age, must have a ticket.

Wicked - LON [313]

Wicked

Wicked - LON [313]  Product Media

As Glinda descends from the rafters in her bubble, the audience cheers immediately. As Elphaba defies gravity as she flies over the stage, the audience gasps with disbelief. It’s impossible not to be swept away in *Wicked*’s pure theatricality. More than 15 years after Wicked flew into the West End, the Olivier Award-winning musical is still an evening of sheer musical theatre bliss. 

Over 11 million people have visited the land of Oz across 6,000 performances and counting. The musical has won 13 awards, including the Olivier Award for Most Popular Show, and *Wicked* has become one of the most successful musicals of all time. Often when a show has been playing for a long time, it can lose some of the initial magic, but *Wicked* is still as lively and dynamic as ever.

Based on Gregory Maguire’s prequel novel of the same name, *Wicked* imagines an Oz before Dorothy followed the yellow brick road, one in which the “Wicked Witch” Elphaba and the “Good Witch” Galinda are roommates at school. *Wicked* is a story of an unlikely friendship and how the truth isn’t always what meets the eye. Add spine-tingling ballads, a dragon, and stage magic into the mix, and Wicked sets the bar for what musical theatre can be.

Winnie Holzman’s multilayered book peels back L. Frank Baum’s *The Wizard of Oz* to shine more light on what happens along the way. Every time you watch Wicked, you’ll hear a new line, or see a new character approach that uncovers more information; it’s no wonder that Wicked fans — Ozians — visit the land of Oz dozens of times to unpick the hidden truths about the lion, the scarecrow, and the tin man.

*Wicked* wouldn’t be complete without [Stephen Schwartz’s influential score](https://www.londontheatre.co.uk/theatre-news/news/stephen-schwartz-musicals); and songs like “For Good” now transcend popular culture as pop stars, like Leann Rimes and Delta Goodrem, cover the iconic duet. But there’s no place like home, and that’s hearing Schwartz’s anthemic songs live, complete with a 23-piece orchestra. Pair Schwartz’s music with Wayne Cilento’s explosive choreography, especially in the show-stopping “Dancing Through Life” when the students go to their first dance, and Wicked is poetry in motion.

Eugene Lee’s intricate and moody scenic design extends into the auditorium, thanks to a giant smoking dragon and flying monkeys climbing up the walls. Kenneth Posner’s lighting design and Tony Meola’s sound design amplify the tension, especially when the animated wizard mask comes alive and the wizard’s booming voice reverberates around the auditorium. But there’s plenty of brightness too, especially in Susan Hilferty’s viridescent Ozian costumes and Galinda’s kaleidoscopic wardrobe.

Elphaba has become a coveted role for thousands of performers. From Idina Menzel winning the Tony Award for originating the role on Broadway to Kerry Ellis, Rachel Tucker, and Louise Dearman, each performer has put their own spin on the role and the iconic ballads: “The Wizard and I,” I’m Not That Girl,” “Defying Gravity,” and “No Good Deed”. Lucie Jones comes into her own as the green witch, deftly moving from frustration to sweetness to fury, as Elphaba navigates the world around her and quickly learns that not everyone means what they say. Helen Woolf is bubbly perfection as Glinda, with her sweet soprano and dry wit.

There’s something in *Wicked* for everyone. From the childlike wonder at the magical world of Oz to the political undertones about our leaders’ role in society to the universal message that true beauty lies within, *Wicked* leaves the audience with food for thought and also, wanting more. It’s no wonder that the musical has captured the hearts of so many over the years and will continue to do so for many years to come. *Wicked* is certainly here to stay in the West End for good. 

*Wicked is at the Apollo Victoria Theatre. Book Wicked tickets on London Theatre.*

[![LT - CTA - 250](//images.ctfassets.net/6pezt69ih962/1t6HRGmhlYl70k6PmR0mOZ/3caac861bc1d4233cd7844652c925623/LT-CTA-250.png)](https://ticket.londontheatre.co.uk/booking/calendar?product_id=1587&content_product_id=1587&venue_id=138)

‘Wicked’ review — the West End hit flies high at the Apollo Victoria Theatre 

Read our five-star review of *Wicked,* the Stephen Schwartz musical starring Lucie Jones and Helen Woolf, at the Apollo Victoria Theatre. Get *Wicked* tickets now.

“London’s No.1 show” (LBC) is back! Celebrating 16 triumphant years at the Apollo Victoria Theatre

The Apollo Victoria Theatre is a world-renowned venue located in the heart of London. Since its inception in 1929, the theatre has been staging a myriad of performances, constantly exuding a vibrant atmosphere. With its striking art deco interior and a capacity of 2,304, the theatre continues to provide a rich sensory experience for all attendees. The Apollo Victoria Theatre is especially famous for hosting long-lasting musicals including 'Wicked' which has been running since 2006. The theatre provides state-of-the-art sound and light systems which complement the dynamic and innovative performances that grace its stage. Its enviable location, in the vicinity of Victoria Station, makes it effortlessly accessible to both local and international patrons.

__Getting to the Venue__ 

The Apollo Victoria Theatre is conveniently located at 17 Wilton Rd, London. It can be easily reached by numerous means of public transportation. Victoria Station, which services the Victoria, District and Circle Lines, is just opposite the theatre. Numerous buses also stop near the theatre including routes 38, 73, 8, amongst others. For those preferring to drive, the theatre is part of the Q-Park Scheme offering a 50% discount on car parking in some locations.

__Additional information__

Venue opens 90 minutes prior to the performance with bars, kiosks and toilet facilities available.
Auditorium opens for seating 55 minutes prior to the performance.
Latecomers can only be admitted into the auditorium at a suitable break in the performance, which is approximately
25 minutes after curtain-up.

Apollo Victoria Theatre - LON

Apollo Victoria Theatre

The Apollo Victoria Theatre is a major London venue known for its long-running musicals, state-of-the-art facilities, and easily accessible location near Victoria Station.

Ages 8+. Children under the age of 16 must be accompanied by and sat next to an adult ticketholder (18+). Children under the age of 3 will not be admitted.

Les Misérables - LON [300] 

Les Misérables

Les Misérables [300] - LON Product Media

Another fantastic chapter in West End history has been gloriously (re)written, with not one but two spectacular reinventions -&nbsp;first of a theatre itself, in which the Queen's on Shaftesbury Avenue has been reincarnated as the <a href="/theatres/sondheim-theatre">Sondheim Theatre</a> and completely refurbished by its owner Cameron Mackintosh to restore it from a threadbare functionality to which it had previously been brought back 61 years ago from wartime bomb damage to a glowing and welcoming new warmth. Meanwhile, its current tenant -&nbsp;already the West End's longest-running musical -&nbsp;has itself been entirely overhauled, with Mackintosh taking the opportunity of its temporary 20-week closure for the theatre's refurbishment to replace the original landmark RSC production with a touring version that was first created for a UK tour as part of the show's 25th-anniversary celebrations in 2010. It was briefly seen in London that year at the Barbican - the show's original London home - running contemporaneously with the West End edition, and is even now on a new European and UK tour, currently playing in Zurich before it returns to continue across the regions in March. The first thing to say about it is that it still owes a lot to the original Trevor Nunn and John Caird production -&nbsp;the famous revolve of John Napier's original design may have gone, for instance, but now the actors merely mime the identical movement (originally the work of Kate Flatt, with musical staging now credited to Geoffrey Garratt, long an associate on the original production) as they advance across the stage in the ever-rousing Act One finale of "One Day More" as the iconic red flag is waved above them. Fans of the original will check off numerous such instances, including the indelible image of a dead Enjolras lying across the back of a cart. Crucially, too, the original costume designs of Andreane Neofitou are also retained, so visually there are plenty of references to the original production. There are also several cast veterans of the previous incarnation, including principals Bradley Jaden who was Javert in the final cast of the original and reprises that role now; Jon Robyns, previously Marius and Enjolras, who now graduates to the role of Jean Valjean; and <a href="/actor-profile/carrie-hope-fletcher">Carrie Hope Fletcher</a>, previously Eponine and now playing Fantine (and all three in spectacular voice); amongst others in the ensemble who also include fellow West End returnees Ciaran Bowling, Sarah Lark and Luke McCall. The show remains an ensemble effort, as it was when it was first created by Nunn and Caird. That establishes a welcome sense of continuity from past to present versions, but it is also given a fresh 21st-century inventiveness with Matt Kinley's sets being complemented by stunning painterly projections, inspired by Victor Hugo's own paintings, that have been niftily realised by Fifty-Nine Productions and Finn Ross, all of which are lavishly lit by Paule Constable. Mick Potter's sound is also thrilling, wrapping the theatre is swathes of sumptuous melody, richly played by the pit orchestra under the direction of Steve Moss. As both a producer and theatre owner, Cameron Mackintosh has always been about attention to detail; the reopening of this theatre and show gives him an opportunity to prove his meticulous care in both. But I also love fresh new details, whether it be the reintroduction of rear dress circle boxes that are newly named in honour of Maggie Smith and Judi Dench, or new cast members like West End regular Josefina Gabrielle, who - cast entirely against her usual sophisticated type as Madame Thenardier -&nbsp;is virtually unrecognisable and truly hilarious. The show remains a thrilling triumph. Here's to the next 35 years, as it looks set to become <a href="/show/the-mousetrap">The Mousetrap</a> of musical theatre; but unlike that murder mystery, there's hardly any mystery to why it's such an enduring success.<a href="/show/les-miserables">Les Miserables</a>&nbsp;is at the <a href="/theatres/sondheim-theatre">Sondheim Theatre</a>.<a href="/show/les-miserables">Les Miserables&nbsp;tickets</a> are available now.

Review - Les Miserables at the Sondheim Theatre

Read our review of Les Misérables at the Sondheim Theatre on London Theatre.

Les Misérables at the Sondheim Theatre Review | London Theatre

‘A THRILLING INSPIRATION’ The Guardian

The Menier Chocolate Factory is a renowned theatre venue located in the heart of London, specifically nestled in the Southwark borough. The venue was established in 2004 and has since contributed significantly to the city's cultural scene. Housed in what was originally a chocolate factory, the venue carries immense historic appeal. The theatre's interior is uniquely styled, preserving certain elements of the original factory's architecture and imbuing the place with an unmatched retro vibe. The venue boasts of an intimate setting with its small yet charismatic studio theatre that often stages dramas and musicals and has a capacity of about 180 seats. In addition to the theatre, the venue comprises an upscale restaurant that serves delicious fare and an exquisite bar offering a curated selection of drinks. Often, the theatre plays host to a multitude of productions, both local and international, and has even pocketed awards for its outstanding delivery of art and culture. This quaint venue strikes a perfect balance between the industrial and the innovative, providing a stimulating aura for its patrons.

## Getting to the Menier Chocolate Factory
The theatre venue is easily reachable and well-connected to London’s public transport. It's about a 10-minute walk from Borough Market, London Bridge Station and the Shakespeare's Globe. Alternatively, one could use bus routes such as 344, 381 and RV1 that are near the venue.

Menier Chocolate Factory - LON

Menier Chocolate Factory

The award-winning Menier Chocolate Factory is a historic and intimate theatre venue in Southwark, London; easily reachable from Borough Market and London Bridge Station.

Lucie Jones is a singer and actress who has become one of the West End’s leading ladies in recent years. At the age of 18, Jones competed in the sixth series of The X Factor against acts including Stacey Solomon, Olly Murs and Joe McElderry.

Lucie Jones - Stars on Stage | London Theatre

Lucie Jones - 124x124px

Born in Oldham in 1964, Clive Rowe is an Olivier Award-winning actor, who has enjoyed a successful career on stage and screen. Perhaps best known on screen as Duke in *The Story of Tracy Beaker*, his theatre credits include *Guys and Dolls*, *The Light Princess* and numerous pantomines across the United Kingdom.

Growing up, Rowe expressed an interest in performing as a career. Taking part in productions at Crompton Stage Society, he then decided to pursue the arts professionally, later graduating from Guildhall School of Music and Drama. Even in training, critics would praise his performance, hailing Rowe as a future star. Shortly after, Rowe made his professional stage debut as Enoch Snow in *Carousel* at the National, receiving an Olivier Award nomination.

In 1994, Rowe starred in the acclaimed West End premiere of *Once on This Island*, playing Papa Ge alongside [Sharon D. Clarke](https://www.londontheatre.co.uk/actor-profile/sharon-d-clarke) and Lorna Brown. Returning to the [National Theatre](https://www.londontheatre.co.uk/theatres/national-theatre), he played Nicely Nicely Johnson in the 1997 revival of *Guys and Dolls*, winning an Olivier for Best Performance in a Supporting Role.

Away from the Southbank venue, Rowe’s West End credits include *The Ladykillers* at the [Gielgud Theatre](https://www.londontheatre.co.uk/theatres/gielgud-theatre), *Kiss Me, Kate* at the [Old Vic](https://www.londontheatre.co.uk/theatres/old-vic-theatre), and annual appearances as the Dame character at Hackney Empire pantomimes. In fact, Rowe’s been hailed as one of the UK’s best pantomime dames of all time. Rowe then joined the cast of *[The Prince of Egypt](https://www.londontheatre.co.uk/show/the-prince-of-egypt-tickets)* as Jethro, taking over the role from [Gary Wilmot](https://www.londontheatre.co.uk/actor-profile/gary-wilmot). He then starred in [*Sister Act*](https://www.londontheatre.co.uk/show/sister-act) with [Jennifer Saunders](https://www.londontheatre.co.uk/actor-profile/jennifer-saunders), and will return to panto with *[Jack at the Beanstalk](https://www.londontheatre.co.uk/show/jack-and-the-beanstalk)* at Hackney Empire in winter 2022.

Clive Rowe - LON

Experience an epic musical of biblical proportions, literally

Entry Requirements (Nederlander)

The Prince of Egypt [16687] - LON

The Prince of Egypt

The Prince of Egypt [16687] - LON Product Media

In 2017, a musical premiered on Broadway called Prince of Broadway. It celebrated the life and career of the powerful and prolific Broadway producer and director Harold Prince, whose career spanned nearly seven decades <a href="/theatre-news/west-end-features/reaction-to-death-of-legendary-broadway-director-harold-prince">before he died last year</a>, aged 91. That career retrospective turned out to be his final directing credit amongst shows that earned him a record 21 Tony Awards, including eight for directing the original landmark productions of <a href="/show/fiddler-on-the-roof">Fiddler on the Roof</a>, Cabaret, <a href="/show/company">Company</a>, <a href="/show/follies">Follies</a>, Candide, Sweeney Todd, <a href="/show/evita">Evita</a> and <a href="/show/the-phantom-of-the-opera">The Phantom of the Opera</a>.&nbsp;It's a long way, alas, from that roll call of honour to <a href="/show/the-prince-of-egypt-tickets">The Prince of Egypt</a>, a show that has nothing to do with the Prince of Broadway at all but is the latest animated cartoon feature to be adapted for the stage, in the wake of such Broadway and West End successes as Disney's The Beauty and the Beast (which coincidentally also played at the <a href="/theatres/dominion-theatre">Dominion</a>), <a href="/show/the-lion-king">The Lion King</a> and Aladdin. Unfortunately, this one is not even in the league of such box office flops as The Little Mermaid and (the non-Disney) Anastasia, both of which are yet to make a transfer to London.<a href="/show/the-prince-of-egypt-tickets">The Prince of Egypt</a>, based on the 1998 inaugural feature from Dreamworks Animation,&nbsp;is a biblical pageant that comes with all the weighty, earnest and portentous air of an end-of-year Nativity project, though on a considerably larger budget.Stephen Schwartz, who won an Oscar for the big power ballad "When You Believe" from the film score that became an enduring pop hit by Mariah Carey and Whitney Houston, has reprised his songwriting duties here, adding ten new songs to the film's original seven songs, five of which have been preserved here (albeit extensively revised). But sadly, after sitting through nearly two and a half hours of watching this turgid history story unfold, I couldn't join in "When You Believe"'s aspirational cry: "There can be miracles/ When you believe/ Though hope is frail/ Its hard to kill/ Who knows what miracles/ You can achieve/ When you believe somehow you will/ You will when you believe".By the time the familiar chords of this song struck up, I couldn't believe in any of it, let alone hold out any hope of a redemptive musical miracle occurring.&nbsp;It's not for lack of effort on the part of the creative team and hard-working cast, though: the leaden material just seems to resist theatrical adaptation. Sure, there's are moments of spectacle, like the parting of the Red Sea (and then its rushing in again over the Egyptian soldiers who are chasing the Hebrews towards their Promised Land), but Jon Driscoll's projections onto the multi-leveled set by Kevin Depinet don't exactly thrill or chill.&nbsp;It doesn't help that Philip Lazebnik's book, based on his own screenplay for the film that he also wrote, plods from one incident to another with little character or much narrative development. The actors are left not so much filling blanks but playing them. Accomplished musical theatre actors like Liam Tamne and Luke Brady -&nbsp;who are&nbsp;playing Ramses and Moses respectively, raised as brothers after the abandoned baby Moses is found in the bullrushes and find themselves on significantly different life paths -&nbsp;have little to wrestle with dramatically. Though I briefly thought of our own Prince William and Harry, their bigger challenge is to do a lot of emoting and delivering power notes from their terrific lungs.Similarly marooned in a dramatic wasteland are such brilliant musical theatre stars as Christine Allado (original cast of <a href="/show/hamilton">Hamilton</a>), Alexia Khadime (<a href="/show/the-book-of-mormon">The Book of Mormon</a>) and Debbie Kurup (The Bodyguard), while the superb RSC associate actor Joe Dixon and the always-reliable <a href="/actor-profile/gary-wilmot">Gary Wilmot</a> are strangely wasted in patriarchal roles.There's plenty of deeply repetitive though undoubtedly athletic choreography from Sean Cheesman to occasionally distract the eye, There's also full-bodied sound from Gareth Owen, and a busily lush-sounding orchestral accompaniment from a band under the musical direction of Dave Rose, but little imagination in the telling of the production from director Scott Schwartz (son of the composer).<a href="/show/the-prince-of-egypt-tickets">The Prince of Egypt</a> is booking at the <a href="/theatres/dominion-theatre">Dominion Theatre</a>&nbsp;until 31st October 2020.<a href="/show/the-prince-of-egypt-tickets">The Prince of Egypt tickets</a>&nbsp;are available now.&nbsp;

Review - The Prince of Egypt at the Dominion Theatre

Experience the epic emotion and soaring music of THE PRINCE OF EGYPT, the extraordinary new musical from three-time Academy Award-winner Stephen Schwartz (composer of the global phenomenon Wicked).

The Dominion Theatre, located in London, is an iconic venue with a remarkable history, hosting musicals, concerts, and performances for almost a century. Established in 1929, it prides itself in its distinctive Art Deco style that resonates with its visitors and transports them to a majestic era. The theatre provides a large capacity of over 2,000 seats, making it one of the largest in London. Known for hosting some of the greatest musicals of all time, the Dominion Theatre became a prominent venue for 'We Will Rock You' - a musical inspired by the band Queen. The stage has seen performances from many famous artists, including Judy Garland. 

### How to Get to the Venue 

The Dominion Theatre is conveniently situated at the junction of Tottenham Court Road and Charing Cross Road, making it easily accessible by public transport. The closest tube station is Tottenham Court Road, which is only a minute’s walk away. Services from the Northern and Central Line serve this station. Multiple bus routes also pass close to the theatre including 7, 8, 14, 19, 24, 29, 38, 55, 73, 98, 134, 176, and 242. For those driving, the nearest car park is an NCP on Adeline Place, with a 24-hour car park on Great Russell Street.

Dominion Theatre - LON

Dominion Theatre

The Dominion Theatre is a historic, art deco theatre in London, known for hosting iconic performances. Easily accessible by public transport.

Jack and the Beanstalk - LON [24384]

Jack and the Beanstalk

Jack and the Beanstalk - LON [24384] Product Media

Located in the heart of East London, Hackney Empire is a grand yet intimate theatre venue built in the 1900s by renowned architect Frank Matcham. The theatre has consistently pushed boundaries and promoted diversity on its stage since its inception. High-quality theatre, Opera, Pantomimes and other genres of music make regular appearances on its stage. It has been a launching pad for many artists including Charlie Chaplin and the beloved stand-up comedian, Jack Dee. Inside, you'll encounter stunningly ornate interiors and a warm, welcoming aura that will make any theatre-goer feel at home.

__How To Get There__

Hackney Empire is accessible via public transit. The closest rail station is Hackney Central, which is only a few minutes walk away. Several buses stop near the venue, including routes 30, 38, 55, 106, 236, 242, 253 and 277. Street Parking is limited, so public transit is advisable. For cyclists, Sheffield stands and cycle hubs are available directly outside the venue.

Hackney Empire - LON

Hackney Empire

Hackney Empire is a historic theatre in East London known for diverse performances. It's accessible via Hackney Central station.

Sister Act: The Musical [19421]

Sister Act: The Musical

Sister Act: The Musical [19421] Product Media

[*Sister Act*](https://www.londontheatre.co.uk/show/19421-sister-act-the-musical) brings people together. There were people of all walks in the audience at the [Eventim Apollo](https://www.londontheatre.co.uk/theatres/eventim-apollo) on Wednesday night for the show’s triumphant return to London. Drag queens. 1970s disco devotees. Celebrities. Nostalgic millennials. All of the above. Everyone loves *Sister Act* and it’s easy to see why.

The musical brings a new lens to the 1992 film starring Whoopi Goldberg as a struggling 1970s nightclub singer who goes undercover as a nun after witnessing a murder. It’s a classic, jubilant story of the power of community and coming together set to rollicking music and full of humour and dancing. Watching the cast of *Sister Act* absolutely tear up the Eventim Apollo makes you wonder why the show ever left London? Well, the nuns are back, and they all are fabulous, baby. 

Beverley Knight is giving a performance as Dolores van Cartier that makes you think, “Whoopi Goldberg, who?” The role requires reinvention for the stage, and from her otherworldly vocals to her impeccable comedic timing, Knight absolutely redefines and becomes this iconic character. 

The entire cast is stacked, and each performance leaves you wishing there was a whole musical centered around each nun. Lizzie Bea is a bonafide star as the young Sister Mary Robert, and her Act 2 anthem “The Life I Never Led” had me in tears. Jennifer Saunders delivers her trademark comedy magic as Mother Superior, while Keala Settle’s Sister Mary Patrick hits all the punchlines and notes. 

Clive Rowe brings an earnestness to “Steady” Eddie, the cop investigating the case and Dolores’s old high school friend who’s still harbouring a crush. He brings down the house down with his all-out production number “I Could Be That Guy.” Every single person in the cast deserves a shoutout; there are just too many to list. And as a group, the whole is greater than the sum of its parts. It’s magical. 

Parts of the Bill Buckhurst-directed production get a little lost in the cavernous Eventim Apollo space. Designer Morgan Large’s set is a simple-yet-effective backdrop, and her costumes are bright, catchy, and appropriate to the time period and tone of the show. Tom Marshall’s sound design is booming and permeates the whole space — there are great acoustics in here, after all. And Tim Mitchell’s lighting makes you feel like you’re at a gospel concert. 

When the *Sister Act* film came out in 1992, this heartwarming story won over the hearts of audiences everywhere, and London audiences are going to fall in love with this gem of a show all over again. You’ll leave the theatre humming Alan Menken and Glenn Slater’s fabulous score and ready to come back for more. If you see one show about singing nuns this summer, make it *Sister Act* at the Eventim Apollo. 

*Sister Act is at the Eventim Apollo to 28 August. Book Sister Act tickets on London Theatre.*

[![LT - CTA - 250](//images.ctfassets.net/6pezt69ih962/1t6HRGmhlYl70k6PmR0mOZ/3caac861bc1d4233cd7844652c925623/LT-CTA-250.png)
](https://ticket.londontheatre.co.uk/booking/calendar?product_id=2069&content_product_id=2069&product_type=show&performance_type=M&venue_id=146)

*Photo credit: Beverley Knight and Jennifer Saunders in Sister Act (Photo by Manuel Harlan)*

'Sister Act' review — Raise your voice for this fabulous musical

The Eventim Apollo theatre, formerly the Hammersmith Apollo, is a unique and storied venue nestled in the heart of London. With a seating capacity of approximately 5,000, it offers high-quality entertainments to the fans of live events. Originally opened in 1932, it has an iconic Art Deco design and provides an overwhelming experience, with a mesmerising ambience. The building was designated a Grade II* listed structure by English Heritage in 1990, affirming its importance in English culture and history. Over the years, the theatre has played host to some remarkable singers, comedians and performance troupes, and continues to offer a versatile program of events. Its large stage and ample seating make it conducive for all genres, be it concerts, comedy performances, or family shows. ##How to get to the venue: Eventim Apollo is easily accessible by public transportation. It is located just a short distance from the Hammersmith tube station which is served by Circle, District, Piccadilly, and Hammersmith & City lines. If you're travelling by bus, it's served by numerous lines including the 9, 10, 27, 33, 72, 190, 211, 220, 267, 283, 295, and 391. For those preferring to drive their own vehicle, there are numerous car parks around the area.

Eventim Apollo - LON

Eventim Apollo

The historic Eventim Apollo theatre in London hosts diverse live events and is easily accessible by various modes of transportation.

Mother Goose - Hackney Empire - LON 

Mother Goose 

Mother Goose - Hackney Empire - LON  Product Media

Clive Rowe is an Olivier Award-winning actor, who has enjoyed a successful career on stage and screen. Best known on screen as Duke in The Story of Tracy Beaker, his theatre credits include Guys and Dolls, The Light Princess and numerous pantomines.

Clive Rowe - Stars on Stage | London Theatre

Clive Rowe 124x124px

Explore West End shows, book last minute theatre tickets, and more

Discover London

LON | TT | App Carousel | Wicked 313 | Wicked Day - 1

LON | TT | App Carousel | Wicked 313 | Wicked Day - 2

LON | TT | App Carousel | Wicked 313 | Wicked Day - 3

LON | TT | App Carousel | Wicked 313 | Wicked Day - 4

LON | TT | App Carousel | Wicked 313 | Wicked Day - 5

LON | TT | App Carousel | Wicked 313 | Wicked Day - 6

LON | TT | Young Vic | App Tile

LON | TT | Park Theatre | App Tile

LON | TT | London Attractions | App Tile

LON | TT | Theatre Roulette | App Tile

LON | TT | English National Opera | App Tile

LON | TT | Bush Theatre | App Tile

LON | TT | Royal Ballet and Opera | App Webtile

LON | TT | Royal Court Season | App Tile 

LON | TT | Kiln Theatre | App Tile

LON | TT | The Globe | App Tile 

LON | TT | Lyric Hammersmith | App Tile 

LON | TT | Strictly Come Dancing The Live Tour

LON | TT | App Home Tile | Musicals Candlelight

LON | TT | App Home Tile | Candlelight Concerts 

LON | TT | App Tile | Why Am I So Single? | 39622 | Special Offer

LON | TT | App Home Tile | Christmas by Candlelight

LON | TT | App Tile | Dr Strangelove | 35374

LON | TT | App Home Tile | Moulin Rouge! The Musical | 23350 | Media

LON | TT | Ad Unit | Moulin Rouge! The Musical | 23350 | Media

TodayTix App Home - LON

Special offer - TT Genre - LON

LON - Musicals - TodayTix

Musicals in London

LON - Family / Kid-friendly (TT)

Family shows

LON - Under £25

Tickets under £25

LON - Stars on Stage (TT)

Stars on Stage in London

LON - Opening soon

Opening Soon

LON - Plays - TodayTix

LON - All Attractions 

Attractions in the UK

London All Shows Image

Latest London Insider Posts

London Tile Image

Venues in London

London musicals

London plays

London family

TT - Deals & Special Offers 

Offers

London access

Rush & Lottery

More

The Menier Chocolate Factory Theatre opened in 2004. It is located in a former 1870s chocolate factory and is made up of a theatre, a rehearsal space, as well as an on-site restaurant and bar. UK premieres at the Menier Chocolate Factory include *Tick, Tick... Boom!*, *The Color Purple* and *The Last Five Years*. Many musicals staged at the Menier Chocolate Factory transfer to the West End, including *Sunday in the Park with George* and *[Fiddler on the Roof](https://www.londontheatre.co.uk/show/fiddler-on-the-roof)*. 

Menier Chocolate Factory - London Theatre

Opened in 2004, the Menier Chocolate Factory Theatre is a versatile venue in an 1870s factory. Many of its musicals transfer to the West End.

Menier Chocolate Factory - TodayTix

Menier-SeatingMap 1016 x1160 px

The Baker's Wife Tickets

About The Baker's Wife

Run time

Start date

End date

Categories

Venue

Stars on stage

Lucie Jones

Clive Rowe

The Baker's Wife cast and creative team

Venue

Menier Chocolate Factory

Directions

Tickets